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Barbara Henning and Maureen Owen Poetry Tour Reading

Reservation Dates: 
Wednesday, January 30, 2019 - 7:00pm to 9:00pm

Join us as Poets Maureen Owen and Barbara Henning stop in New Orleans on their traveling writing tour.


By Donation 



Poet and fiction writer Barbara Henning was born in Detroit, Michigan. She attended Wayne State University before moving to New York City with her two children in 1983. She has also lived in Tucson, Arizona. Lewis Warsh published her first book of poems, Smoking in the Twilight Bar (United Artists, 1988). Subsequent poetry collections include: Love Makes Thinking Dark (United Artists, 1995), Detective Sentences (Spuyten Duyvil, 2001), My Autobiography (United Artists, 2007), Cities and Memory (Chax Press, 2010), A Swift Passage (Quale Press, 2013), and A Day Like Today(Negative Capability Press, 2015). She is also the author of four novels: Just Like ThatThirty Miles to Rosebud, You Me and the Insects, and Black Lace. Between 2003 and 2014, she published a series of 16 limited artist pamphlets, combining photography and poetry. Henning is also the editor of a book of interviews, Looking Up Harryette Mullen (Belladonna, 2011), and The Selected Prose of Bobbie Louise Hawkins(Blazevox, 2012).  She was also the editor of the poetry and art journal, Long News: In the Short Century, from 1990 to 1995. As a long-time yoga practitioner, she has lived and studied in Mysore, India with Shankaranarayana Jois. Henning has taught at Naropa University, the University of Arizona, and Long Island University in Brooklyn, where she is professor emerita.


Born in Graceville, Minnesota, poet and editor Maureen Owen was educated at Seattle University and San Francisco State University, where she earned a BA. In 1965, she moved to Japan, where she studied the practices of haiku and renku as well as Zen Buddhism. She moved to New York City in 1968, where she worked as program coordinator for the Poetry Project at St. Mark’s Church. In 1969, she founded the literary magazine Telephone and the press Telephone Books, where she published many New York School poets, including Ted Berrigan.  Owen often builds her rangy, sharp, carefully structured lyric poems as longer sequences, paying precise and shifting attention to space, breath, and image. In a review of Erosion’s Pull for BOMB MagazinePatricia Spears Jones observes, “For more than 25 years, Maureen Owen has been creating poems that explore the malleability of the page—how space becomes its own punctuation or phrase. Few poets examine American family life, feminism, art history, and the natural world with an underlying awareness and understanding of both Eastern and Western spirituality and thought: Buddhism and Catholicism.” Owen is the author of numerous collections of poetry, including Edges of Water(2013), Erosion’s Pull (2006), American Rush: Selected Poems (1998), American Book Award–winner AE (Amelia Earhart) (1984), and The No-Travels Journal(1975). For nearly 30 years, she collaborated with a group of poets, including Pat Nolan and Sandy Berrigan, on the haikai no renga collection Poetry For Sale (2015). Her work is also featured in the anthology Moving Borders: Three Decades of Innovative Writing by Women (1998). A recipient of grants from the National Endowment for the Arts, the Foundation for Contemporary Arts, and the Fund for Poetry, Owen has taught in the Naropa University low-residency MFA program and at Edinboro University and has served on the boards of the Poetry Project at St. Mark’s Church and the Coordinating Council of Literary Magazines. Owen now lives in Denver. A selection of her papers is held at the University of California San Diego.